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* Random components included in this album are configured with equal probability.
■ Product Introduction
This story is about individual isolation,
and also about love and solidarity.
<Paper Flower Garden: Du Halmang Bonpuri> is a pansori one-person play that reinterprets the Jeju shamanic myth [Saengbul Halmang Bonpuri].
It premiered at the National Theater of Korea's Yeowoorak Festival in 2023 and was performed in 9 regions nationwide the following year.
In 2025, as preparations for the stage continue, major songs will be released as an OST album.
The songs featured in the work blend a single pansori vocalist with two chorus members, bass, piano, guitar, and janggu.
The sounds, created with various modes and rhythms of traditional vocal music such as pansori, folk songs, and shamanic songs, are arranged to incorporate jazz characteristics. The accompanying music aims to present a restrained sound that maximizes the texture and rhythm of traditional Korean vocal music.
The main melody of 'Go to Bloom (Track 1)', a symbol of the work, is varied in several songs and delicately portrays the character's emotions and situations.
[Credit]
Lyrics by 박인혜 (Inhye Park)
Composed by 박인혜 (Inhye Park), 최인환 (Inhwan Choi)
Arranged by 최인환 (Inhwan Choi)
Vocal 박인혜 (Inhye Park)
Guitar 이수진 (Soojin Lee)
Piano / Accordion 임슬기 (SLKI Lim)
Bass 최인환 (Inhwan Choi)
Janggu / Soribuk / Percussion 조봉국 (Bongguk Cho)
Chorus 이예린 (Yerin Lee), 이해원 (Haewon Lee), 황지영 (Jiyoung Hwang)
Recorded, Mixed & Mastered by 정새롬 (Saerom Jung)
Recorded at E-UM SOUND
Produced by 최인환 (Inhwan Choi)
Executively Produced by 판소리아지트 놀애박스 (Pansori Azit Nohlaebox)
Project Manager 박용휘 (Yonghwi Park), 신승빈 (Seungbin Shin), 문정인 (Jeongin Mun)
Cover Design 문정인 (Jeongin Mun)
Pansori Azit Nohlaebox
Pansori Azit Nohlaebox was formed in 2021, centered around creator Park Inhye, who has continuously engaged in creative work across pansori one-person plays, changgeuk (Korean opera), musicals, and dramas.
Leveraging the unique characteristics of pansori, they are creating more Korean musical theater that goes beyond tradition.
They contemplate how pansori's inherent music, theatricality, and acting techniques should manifest in contemporary theater, focusing internally on nurturing pansori creators and performers.
